My research and teaching interests include Latina/o studies, U.S. Latinx literatures, poetry and poetics, poetry of the Americas, hemispheric American studies, and multi-ethnic literatures of the U.S. My writing has focused on representations of space, place, and nature in modern and contemporary poetries. Current projects include an essay on documentary poetics and several essays on Latinx poetry.
For further information, visit my faculty webpage at the University of South Carolina.
Forthcoming from Wesleyan University Press in Fall 2018 is a critical anthology, American Poets in the 21st Century: Poetics of Social Engagement, which I’m coediting with Claudia Rankine. The volume features the work of 14 innovative U.S. American poets, along with their poetics statements and critical essays on their poetry.
Also forthcoming is my essay on U.S. Latinx poetry in The Cambridge Companion to Latin American Poetry (ed. Stephen Hart), which will be released in March 2018. The volume is available for preorder at the link above. It also has a beautiful, vibrant cover (right).
Forthcoming, too, is my essay “Quarantine Citizen: Latinx Poetry and the Matter of Capital” in Dialectical Imaginaries: Materialist Approaches to U.S. Latino/a Literature in the Age of Neoliberalism (eds. Marcial González and Carlos Gallego), forthcoming with the University of Michigan Press.
Broken Souths: Latina/o Poetic Responses to Neoliberalism and Globalization, published by the University of Arizona Press, 2013. Check this page for details.
American Political Poetry in the 21st Century, published by Palgrave Macmillan, 2007. See here and here. This book examines the language of individual and collective agency in various strains of contemporary American poetry and hip-hop music.
My commentary on poetry is posted on Progressive Poetics, a collaborative project curated and compiled by the poet H.L. Hix. Responding to Adorno, Auden, Tu Fu, and a string of short responses by poets and critics, Hix’s “one-question interview” has generated some tremendous commentaries. Here’s mine.
SELECTED ARTICLES & BOOK CHAPTERS
March 2017: “Poetry from a Year of Precarity” is up at ASAP/J, the online arm of the terrific ASAP/Journal. This is a review essay of five exceptional books from 2016, by Daniel Borzutzky, Susan Briante, Don Mee Choi, Solmaz Sharif, and Rodrigo Toscano.
August 2016: “Ascendance and Abjection: Reading Latina/o Poetry in the Summer of Trump,” in The American Poetry Review.
August 2016. “They Must Be Re(pre)sented: Archiving Nuyorican Poetry’s ‘Diasporous’ Bodies.” Review essay of In Visible Movement: Nuyorican Poetry from the Sixties to Slam, by Urayoán Noel. In Journal of Modern Literature.
Spring 2016. “Reinventing Ecopoetics: Chicano Poetry’s Undocumentary Turn.” In Aztlán: A Journal of Chicano Studies.
“‘The black braid of names’: A Hemispheric Mapping of Martín Espada’s Lyric Monuments,” in Acknowledged Legislator: Critical Essays on the Poetry of Martín Espada, published by Farleigh Dickinson University Press, edited by Edward J. Carvalho, April 2014, pp. 219-241. To buy this collection, click here.
“‘Andando entre dos mundos’: Towards an Appalachian Latino Literature,” in Appalachian Journal 39.3-4 (2012), pp. 270-288.
“‘Of the smog’: José Emilio Pacheco’s Concussive Poetics of Mexico City,” in Hispanic Review 79.2 (2011), pp. 291-316.
“‘A mountain / in my pocket’: The Affective Spatial Imagination in Post-1952 Puerto Rican Poetry,” in MELUS (Multi-Ethnic Literature of the United States) 35.2 (2010), in a special issue on Multi-Ethnic Poetics edited by Keith Leonard and Meta Jones, pp. 41-67.
“Spaces for Congregation and Creative Play: Martín Espada’s and Victor Hernández Cruz’s Poetic Plazas,” in College Literature 37.2 (2010), pp. 1-23.
“Live Hip Hop, Collective Agency, and ‘Acting in Concert,’” in Popular Music and Society 30.1 (2007), pp. 75-90.
“Working in the Space of Disaster: Yusef Komunyakaa’s Dialogues with America,” in Callaloo: A Journal of African Diaspora Arts & Letters 28.3 (2005), pp. 812-823.